The sun was a fiery disc sliding into the purple horizon by the time a seaman walked down the dock to the coach that had been waiting there since morning. "There she is—the Morning Star," he told Stephen, who'd been leaning against the door of the vehicle, idly watching a drunken brawl taking place outside a nearby pub. Before raising his arm to point out the ship, the seaman cast a cautious glance at the two coachmen, who both held pistols in clear view, and who were obviously not as indifferent as their master to the dangers lurking everywhere on the wharf. "That's her, right there," he said to Stephen, indicating a small ship just gliding into port, its sails dim silhouettes in the deepening twilight. "And she's only a bit late."

Straightening, Stephen nodded to one of the coachmen, who tossed the seaman a coin for his trouble, then he walked slowly down the dock, wishing that his mother or his sister-in-law could have been here with him when Burleton's bride disembarked. The presence of concerned females might have helped soften the blow when he delivered the tragic news to the girl, news that was going to shatter her dreams.

"This is a nightmare!" Sheridan Bromleigh cried at the astonished cabin boy who'd come to tell her for the second time that "a gentleman" was waiting for her on the pier—a gentleman she naturally assumed was Lord Burleton. "Tell him to wait. Tell him I died. No, tell him we're still indisposed." She shoved the door closed, shot the bolt, then pressed her back to the panel, her gaze darting to the frightened maid who was perched on the edge of the narrow cot in the cabin they'd shared, twisting a handkerchief in her plump hands. "It's a nightmare, and when I wake up in the morning, it will all be over, won't it, Meg?"

Meg shook her head so vigorously that it set the ribbons on her white cap bobbing. "It's no dream. You'll have to talk to the baron and tell him something—something that won't vex him, and something he'll believe."

"Well, that certainly eliminates the truth," Sheridan said bitterly. "I mean, he's bound to be just a trifle miffed if I tell him I've managed to misplace his fiancée somewhere along the English coastline. The truth is I lost her!"

"You didn't lose her, she eloped! Miss Charise ran off with Mr. Morrison when we stopped in the last port."

"Regardless of that, what matters is that she was entrusted to my care, and I failed in my duty to her father and to the baron. There's nothing to do but go out there and tell the baron that."

"You mustn't!" Meg cried. "He'll have us thrown straight into a dungeon! Besides, you have to make him feel kindly toward us because we have no one else to turn to, nowhere to go. Miss Charise took all the money with her, and there isn't a shilling to buy passage home."

"I'll find some sort of work." Despite her confident words, Sherry's voice trembled with strain, and she looked about the tiny cabin, unconsciously longing for somewhere to hide.

"You don't have any references," Meg argued, her voice filling with tears. "And we don't have anywhere to sleep tonight and no money for lodgings. We're going to land in the gutter. Or worse!"

"What could be worse?" Sheridan said, but when Meg opened her mouth to answer, Sherry held up a hand and said with a trace of her normal humor and spirit, "No, don't, I beg you. Don't even consider 'white slavery.' "

Meg paled and her mouth fell open, her voice dropping to a dazed whisper. "White… slavery."

"Meg! For heaven's sake, I meant it as a… a joke. A tasteless joke."

"If you go out there and tell him the truth, they'll toss both of us straight into a dungeon."

"Why," Sherry burst out, closer to hysterics than she'd ever been in her life, "do you keep talking about a dungeon?"

"Because there's laws here, miss, and you—we—we've broken some. Not on purpose, of course, but they won't care. Here, they toss you into a dungeon—no questions asked, nor answers heard. Here, there's only one sort of people who matter, and they're the Quality. What if he thinks we killed her, or stole her money, or sold her, or something evil like that? It would be his word against yours, and you aren't nobody, so the law will be on his side."

Sheridan tried to say something reassuring or humorous, but her physical and emotional stamina had both suffered from weeks of unabated tension and stress, compounded by a long bout of illness during the voyage, followed by Charise's disappearance two days ago. She should never have embarked on this mad scheme in the first place, she realized. She'd overestimated her ability to cope with a spoiled, foolish seventeen-year-old girl, convincing herself that her common sense and practical nature, combined with her experience teaching deportment at Miss Talbot's School for Young Ladies, which Charise had attended, would enable her to deal admirably with any difficulties that arose on the trip. Charise's dour father had been so deluded by Sheridan's brisk, competent manner that, when his heart ailment suddenly prevented him from travelling to England, he'd chosen Sheridan over several older, more experienced, applicants to escort his daughter to England—Sheridan, who was barely three years older than she. Of course, Charise had something to do with his decision; she'd wheedled and sulked and insisted that Miss Bromleigh be the one to accompany her, until he finally conceded. Miss Bromleigh had been the one who helped her write her letters to the baron. Miss Bromleigh, she told him, wasn't like those other sour-faced companions he'd interviewed; Miss Bromleigh would be amusing company. Miss Bromleigh, she warned him slyly, wouldn't let her become so homesick that she wanted to return to America and her papa, instead of marrying the baron!

That was certainly true, Sheridan thought with disgust. Miss Bromleigh was probably responsible for her elopement with a near-stranger, an impulsive act that loosely resembled the plot of one of the romantic novels that Sheridan had shared with Charise on the voyage. Aunt Cornelia was so opposed to those novels, and to those "foolish romantic notions" they put forth, that Sheridan normally read them only in secret, with the curtains closed around her cot. There, in solitude, she could experience the delicious excitement of being loved and courted by dashing, handsome noblemen who stole her heart with a glance. Afterward, she could lie back on the pillows, close her eyes, and pretend that she had been the heroine, dancing at a ball in a glorious gown with pale golden hair in an elaborate upsweep… strolling in the park with her dainty hand resting upon his sleeve and her pale golden hair peeping from beneath the brim of her fashionable bonnet. She'd read each novel so many times that she could recite her favorite scenes from memory and substitute her own name for the heroine's…

And then there was her particular favorite… the one she most often liked to imagine:

Lying in bed, she would alter the plots of the novels, the dialogue, and even the situations and locales to suit herself, but she never, ever changed her imaginary hero. He and he alone remained ever constant, and she knew every detail about him, because she had designed him herself: He was strong and masculine and forceful, but he was kind and wise and patient and witty, as well. He was tall and handsome too—with thick dark hair and wonderful blue eyes that could be seductive or piercing or sparkle with humor. He would love to laugh with her, and she would tell him amusing anecdotes to make him do it. He would love to read, and he would be more knowledgeable than she and perhaps a bit more worldly. But not too worldly or proud or sophisticated. She hated arrogance and stuffiness and she particularly disliked being arbitrarily ordered about. She accepted such things from the fathers of her students at school, but she knew she'd wouldn't be able to abide such a superior male attitude from a husband.

And, of course, her imaginary hero would become her husband. He would propose on bended knee, and say things like, "I didn't know there was happiness, until you… I didn't know what love was, until you… I was only half a man with half a heart… until you." She liked the idea of being truly needed by her imaginary hero, of being valued for more than beauty. After he proposed with such sweet, compelling words, how could she do anything but accept? And so, to the envious surprise of everyone in Richmond, Virginia, they would be married. Afterward, he would whisk her, and Aunt Cornelia, off to his wonderful mansion on a hill, where he would devote himself to making them happy, and where their most pressing worry would be which gowns to wear. He would help her locate her father, too, and he would come to live with them.

Alone in the darkness, it didn't matter that she didn't have a prayer of meeting such a man or that if by some wild chance she did encounter such a paragon of perfection, he wouldn't give Miss Sheridan Bromleigh a passing glance. In the morning, she would scrape her thick red hair back off her forehead and fasten it into a practical coil at the nape, then she would leave for school, and no one would ever know that prim Miss Bromleigh, who was already regarded as a "spinster" by students, staff, and parents, was an incurable romantic in her heart.

She'd fooled everyone, including herself, into thinking she was the epitome of practicality and efficiency. Now, as a result of Sheridan's boundless overconfidence, Charise was going to spend her life married to an ordinary Mister, instead of a Milord, a man who could make her life utterly miserable if he chose. If Charise's father didn't die of his fury and heartbreak, he was undoubtedly going to spend the rest of his life thinking of effective ways to make Sheridan's and Aunt Cornelia's lives miserable. And poor, timid Meg, who'd been Charise's overworked maid for five long years, was surely going to be turned out without a reference, which would effectively destroy her future prospects for obtaining a decent position. And these were the best possibilities!

These prospects were based on the assumption that Sheridan and Meg might somehow be able to return home. If Meg was correct, and Sheridan was half-convinced she was, then Meg was going to spend the rest of her life in a dungeon, and Sheridan Bromleigh—"sensible, competent" Sheridan Bromleigh—was going to be her cell mate.

Tears of fear and guilt stung Sherry's eyes as she thought of the calamities she'd caused, and all because of her naive overconfidence and her foolish desire to see the glittering city of London and the fashionable aristocracy she'd read about in her novels. She should have listened to Aunt Cornelia, who'd lectured her for years that longing to see such wondrous sights was tantamount to reaching beyond one's station in life; that pride was as sinful in the eyes of the Lord as greed and sloth; and that modesty in a female was far more attractive to gentlemen than mere beauty.

Aunt Cornelia had been right in the first two of those beliefs, Sheridan belatedly realized. Sherry had tried to heed her aunt's warnings, but there was one major dissimilarity between her aunt and herself that made those warnings about going to England terribly difficult for Sherry to accept: Aunt Cornelia loved predictability. She thrived on rituals, treasured the identical day-to-day routines that sometimes made Sherry feel like weeping with despair.